I just picked up a JVC 4MD-10X Shibata - VTF 2g.... my first high(ish) VTF line contact..... rather looking forward to listening to it.

Was the difference due to VTA and additional mass, or due to some form of damping effect.... who knows?
DT33 Shibata" is effectively a 4MD-10x stylus

ld wrote:On topic, I wonder why line contact styli are seldom paired with high VTF suspensions ? It would seem the obvious thing to do, to make the best of line contact tracing geometry.
Obviously, line contact styli become blades, in the limit as minor radius becomes smaller and smaller.
flavio81 wrote:ld wrote:Obviously, line contact styli become blades, in the limit as minor radius becomes smaller and smaller.
Obviously? ld, is that you or someone has stolen your account?
How about the major radius? Do you prefer to be pricked with 100g of vertical force with a sharp pin or with a wide, sharp blade? Which one would you choose?
flavio81 wrote: Again, on the "pin vs blade" example, the indentation on your skin can be similar too.
flavio81 wrote:Audiophiles have lost all traces of manliness and are scared by any VTF over 2.0 gram.
dlaloum wrote:Historical Fencing techniques against bladed weapons include grabbing the cutting edge ....
ld wrote:The blade's not always at right angles, it varies with the signal. So it's more like shaving, where the blade makes an angle of up to 30 deg (depends on the signal). Sharper blades potential cut/scrape rather than glide. Even at right angles though, potential to scrape increases with sharpness. As I see it.
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