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Nagaoka MP-110: set-up and break-in, etc.

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Nagaoka MP-110: set-up and break-in, etc.

Postby denti alligator » 09 Jan 2012 15:29

So I got a new Nagaoka MP-110.

So far I don't like the sound at all. But I'm not sure I have the anti-skate set right, which is always a headache. I'm getting more sibilance than I'd like.

I know there's supposed to be a break-in period of 30 hours. Will I really hear a difference after that period?

Also, the manual states the stylus should be replaced after 150-200 hours. That means the break-in period is as high as 1/5 of the life of the stylus. Crazy. True?
Rega P3-24 w/ PSU, Groovetracer Reference subplatter & Delrin platter / AT-150MLX / Bottlehead amps: Seduction phono pre w/C4S / Quickie pre / S.E.X. w/C4S & MagneQuest iron / Klipsch Forte IIs w/ Crites upgrades / Sennheiser HD600
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby Cyreg » 09 Jan 2012 16:37

What is it that you don't like about the sound now?
So which cartridge did you use before > 2M red?

Did you shim the armheight + 4mm?

I play a MP110 since a few weeks on a Michell TT with Mi250arm.
Big difference in sound with different armheights and how strongly the Rega based arm is fastened to the armboard/TT
TecnoDec/Mi250/TW/MP110; Cyrus CD8SE; Cyrus FM7> LFD Zero LE MK3.1 /MM> Harbeth C7ES-3;
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby denti alligator » 09 Jan 2012 18:19

Not enough detail. Not open or 'alive' sounding.

The arm is shimmed 2mm.
Rega P3-24 w/ PSU, Groovetracer Reference subplatter & Delrin platter / AT-150MLX / Bottlehead amps: Seduction phono pre w/C4S / Quickie pre / S.E.X. w/C4S & MagneQuest iron / Klipsch Forte IIs w/ Crites upgrades / Sennheiser HD600
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby ipapb » 09 Jan 2012 19:49

denti alligator wrote:I know there's supposed to be a break-in period of 30 hours. Will I really hear a difference after that period?

Yes.
denti alligator wrote:Also, the manual states the stylus should be replaced after 150-200 hours. That means the break-in period is as high as 1/5 of the life of the stylus. Crazy. True?

:shock:
A 150/200 H stylus is at his best. If you're careful you can go up to 500 H. (Otherwise you have to change product !).
Hi
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby denti alligator » 09 Jan 2012 20:52

Yeah, I figured that was odd.

What gets broken in, anyway, the body or the stylus? That is, if I get a replacement stylus down the road, would I need to break in the cartridge again?

I'll wait till 30 hours before deciding whether to keep the Nagaoka. I have an Ortofon 2M, which I like, too, but the Nag is certainly kinder on surface noise.
Rega P3-24 w/ PSU, Groovetracer Reference subplatter & Delrin platter / AT-150MLX / Bottlehead amps: Seduction phono pre w/C4S / Quickie pre / S.E.X. w/C4S & MagneQuest iron / Klipsch Forte IIs w/ Crites upgrades / Sennheiser HD600
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby ipapb » 09 Jan 2012 21:16

denti alligator wrote:What gets broken in, anyway, the body or the stylus? That is, if I get a replacement stylus down the road, would I need to break in the cartridge again?

Yes. The stylus must be broken, not the body cartridge.
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby denti alligator » 09 Jan 2012 21:44

And how does that happen, exactly (the stylus getting broken in)? Wear?
Rega P3-24 w/ PSU, Groovetracer Reference subplatter & Delrin platter / AT-150MLX / Bottlehead amps: Seduction phono pre w/C4S / Quickie pre / S.E.X. w/C4S & MagneQuest iron / Klipsch Forte IIs w/ Crites upgrades / Sennheiser HD600
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby AK » 09 Jan 2012 23:48

Well, "exactly" - it may be too complicated to give a straight answer, but there are mechanical parts involved which probably change a bit with use, have to settle, adapt to one another, motion in the groove effects additional polishing to the tip, etc...
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby GTH » 10 Jan 2012 00:06

denti alligator wrote:
Also, the manual states the stylus should be replaced after 150-200 hours. True?


Are you reading that correctly? A quality stylus should last from 1500-2000 hours, assuming clean records and a properly set up and cared for equipment.
Insert clever phrase here!
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby HibouProfane » 10 Jan 2012 01:55

That cart is very sensitive to proper alignment. I didn't like it at all when I first installed it, but after a few adjustments there was a huge improvement. Don't give up on it, it's really worth the effort.
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby denti alligator » 10 Jan 2012 02:37

Any tips on set-up/alignment?
Rega P3-24 w/ PSU, Groovetracer Reference subplatter & Delrin platter / AT-150MLX / Bottlehead amps: Seduction phono pre w/C4S / Quickie pre / S.E.X. w/C4S & MagneQuest iron / Klipsch Forte IIs w/ Crites upgrades / Sennheiser HD600
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby bacobits » 10 Jan 2012 03:12

Use a KWillis Rega Protractor For your RB300, especially if your going to keep your P3-24
What usually breaks in is the suspension not so much as the stylus.
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby banerjba » 10 Jan 2012 03:31

I use two 2 mm shims on my Rega for the Nagaoka Mp11. It sounds great. No sibilance. I also use a 110 on my Project Debut iii. No issues.

One odd thing though on a couple other Nags is aI get a loud static popping sound randomly. It does not happen with any other brand of carts. Had it happen on my 1200 and Project Xperience. Weird.
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Re: Nagaoka MP-110: set-up and break-in, etc.

Postby theinkd » 11 Jan 2012 02:51

banerjba wrote:I use two 2 mm shims on my Rega for the Nagaoka Mp11. It sounds great. No sibilance. I also use a 110 on my Project Debut iii. No issues.

One odd thing though on a couple other Nags is aI get a loud static popping sound randomly. It does not happen with any other brand of carts. Had it happen on my 1200 and Project Xperience. Weird.


i get that loud static popping with the 110 and a pro-ject too, its been driving me nuts. doesn't happen very often any more. any idea what could be causing it?

but what is meant by shimming the tone arm? should i do this with my Debut III?
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