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Song Of The Week No.4 - Like I Do

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Song of the Week no.4 - Like I Do

Postby mysticfred » 14 Feb 2011 18:36

http://www.youtube.com/watch?v=kMQTSJdqMZY&feature=fvsr

Just a typically catchy pop song from 1963...or do you get the feeling you've heard that tune before?

The tune for "Like I Do", recorded by Maureen Evans which reached no.3 in Britain, was based on Ponchielli's "Dance of the Hours", the song Like I Do originally recorded by Nancy Sinatra, and the tune was again used by Allen Sherman in his comic song also in 1963 "Hello Muddah Hello Fuddah", based on a letter from his son complainng about his summer camp "Granada".

Many tunes from Classical Music have been used in Pop songs since 1963, many more than I can list but here are a few examples...

1965 "A Lover's Concerto" by The Toys, based on "Minuet in G major" (BWV Anh. 114) from J.S. Bach's Notebook for Anna Magdalena Bach.

1967 "A Whiter Shade of Pale" by Procol Harum, no.1 in UK was based on Bach's "Air on a G String" or Orchestral Suite No. 3 in D major, BWV 1068.

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http://www.youtube.com/watch?v=miInerRaIts&feature=fvst
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1973 "Joybringer" by Manfred Mann's Earth Band based on "Jupiter, The Bringer of Jollity" from Holst's "Planets" Suite.

The Farm - All Together Now
The Liverpudlian band reached No 4 in the charts in 1990 with this lad's anthem that leaned heavily on Johann Pachelbel's Canon in D. Coolio also used the Baroque masterpiece, originally penned around 1680, to underlay his 1997 single C U When U Get There.

Take That Could It Be Magic?The song – a hit for the boy/man band as well as its original composer, Barry Manilow – had Frédéric Chopin's Preclude in C Minor to thank for its basic structure.

Eric Carmen - All By Myself
The karaoke/power ballad classic – covered endlessly by the likes of Celine Dion, Shirley Bassey and, er, John Barrowman – was a monster hit in 1976 for Eric Carmen. He openly admitted that he had borrowed heavily from Sergei Rachmaninoff's Piano Concerto No 2 in C minor, Op 18.

Nas I Can After his dying mother had asked him to write an inspirational song for children, the US rapper Nas had a hit in 2003 with this appropriation of Ludwig van Beethoven's Für Elise

The Streets – Same Old Thing One for the trainspotters. Mike Skinner samples Bartók's Concerto for Orchestra for this track from The Streets' debut album, Original Pirate Material.


On the other side of the coin Classical Music composers from Baroque through to the 20th Century drew many of their ideas for Motifs and Figures from popular Folk songs, parts of Dvorak's "New World" Symphony suggested American minstrel songs very clearly, Beethoven, among many others Vivaldi, Bach, Brahms, Tchaikovsky and Vaughan Williams all used popular folk tunes of their Country picked up from Coffee houses, street musicians and used them in their compositions, forever recorded for posterity.

Many Progressive Rock bands such as Yes and Emerson, Lake, and Palmer, with their interpretations of "recycled" Classical works by Stravinsky, Mussorgsky, Copland, Ginastera, The Nice using works by Bernstein, Bach, Sibelius and Dvorak, took Classical Music into their repertoires in a big way, returning such works into the psyche of the masses in a much grander way than the early Pop writers....what goes around comes around so they say !

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http://www.youtube.com/watch?v=_Y1x04hAUT4

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Postby majerjack » 15 Feb 2011 00:52

mysticfred,

Another enjoyable post! You have good ideas and present them very well. I had never before heard the Maureen Evans song---I like the twang guitar. It reminds me somewhat of the guitar on "Here Comes the Night" by Them.

It wasn't only prog rock bands that played tarted-up versions of the classics. Dave Edmunds played a rollicking version of Khatchaturian's "Sabre Dance" and Electric Light Orchestra did a ponderously heavy version of Grieg's "In the Hall of the Mountain King". Bev Bevan's drum sound on the Grieg recording was about the heaviest I ever heard--he really pounded those skins.

As to Procol Harum---Ah, what a band! I love "Whiter Shade of Pale", both the single and the album. The closer on the album's Side One, "Cerdes" features a cool bass riff that I used to love to play on my Rickenbacker. I really like the whole album, but my copy, unfortunately, is mono "Electronically Reprocessed for Stereo". Time to find a mint regular mono copy!
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Postby Jimod99 » 15 Feb 2011 02:19

Not forgetting Public Image Ltd's Death Disco, which was based on Swan Lake.
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Postby majerjack » 15 Feb 2011 04:27

Tchaikovsky themes were also used by the band that was the predecessor to ELO---those boys from Birmingham, The Move. The 1812 Overture theme appears in "Night of Fear", and a theme from The Nutcracker appears in "Cherry Blossom Clinic Revisited". The latter also contains a bit from The Sorceror's Apprentice (by Dukas).
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Postby mysticfred » 15 Feb 2011 09:47

Thanks guys 8) Yes if you really "look" there must be hundreds of examples out there, Classical music is closer to most people than they are sometimes aware of! :D

I have the Sabre Dance, Night of Fear and the Move/ELO albums, and saw a Hip Hop version of "Dance of the Sugar Plum Fairy" on the BAFTA Film awards the other night, still it goes on.. :wink:


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