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A Trilogy of Trackers

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A Trilogy of Trackers

Postby goatbreath » 16 May 2012 07:02

Thought I would maybe do a thread comparing these 3..Don't know if it will generate interest or not...

Audio Technica AT95e,,,,,,,Shure M97xe,,,,,,,,,,,Denon DL110...

All in the same turntable,,with the same arm..Headshells slightly different weights..Which hopefully seem to be placing the resonance zone in the correct place.

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Re: A Trilogy of Trackers

Postby bauzace50 » 16 May 2012 08:53

goatbreath,
a user comparison of those three cartrdiges promises to be quite pertinent, because they are very popular right now. Their price points are just around $100.00, give or take a few, which is rather manageable.

Quite an interesting trio, have fun,
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Re: A Trilogy of Trackers

Postby Hepokatti » 16 May 2012 10:08

This is nice! Having tried both MMs and being disappointed by their tracking, I'm interested to see how they compare against DL-110 in a "real" test.

I really really want to like the AT95E but so far it has provided less than acceptable tracking.
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Re: A Trilogy of Trackers

Postby goatbreath » 16 May 2012 10:22

I find that a strange one as the AT95e at the moment comes out on top as far as tracking goes..it can do track 3 on the HiFi News record,,the other two can't..But I run mine around 2.25 gms..I have used AT95e's for over 20 years though..That extra quarter gram makes all the difference..Maybe the fact that is the cartridge I have got to know is why it's coming out where it does just now..

Obviously the DL110 is not ran in yet and the M97xe is being used with the stabiliser brush as the arm is a medium mass going towards the heavier side..So the M97xe may produce more detail without the brush..

At the minute I am running the Denon at 2gms and the Shure at about 1.85 gms,,but that is with the stabiliser,,so we are talking..1.35 gms..
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Re: A Trilogy of Trackers

Postby Whitneyville » 16 May 2012 11:00

I'd love a DL110 for $100US! $130 is currently a GREAT price on one. I wish you could get your hands on an LPGear "ViVid Line" stylus for the AT-95 (a semi-line contact type) and test it too. I can always get the AT-95E to track on the "Universal Japanese Turntable", but I often don't get really good channel separation with the stock stylus. Very seriously, I can line-up a dozen Technics mid-level TT's of the same model, stone stock, and 3 or 4 will sound much better with a different brand of cartridge, when correctly aligned. I can't figure this out. I await further results with baited breath.
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Re: A Trilogy of Trackers

Postby dlaloum » 16 May 2012 11:51

until the Shure is fully run in, I would run it at 2g (1.5g taking into account the brush) - it should loosen up over the first 50 hours.

Also check it visually to make sure the needle/cantilever is properly aligned (ie: no Shure QA issues)

All cartridges track better at the top end of their VTF ranges... and running them at that setting initially helps bed them in....
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Re: A Trilogy of Trackers

Postby vinylc » 16 May 2012 11:52

I have the AT95e and also run it at 2.25g and find it a moderately good tracker, but not in the same league as the DL-110. Also, at least in the UK, the DL-110 is about 4 times the price of the 95E, and the Shure is about halfway between. I haven't sampled the Shure on my system but, based on first hand experience of the other two and online samples of the Shure I'd say you broadly get what you pay for and all are good value.

My experience with the HFN tracking tests (which are at 315Hz, I think?) is that they don't give much indication as to the high-frequency tracking ability. I was astonished to hear an after-market Stanton 680EEE stylus sail through track 4 on the HFN record (no other cartridge I own comes close), yet also completely murder any high enegy sibilants in music, turning them to screechy mush. My DL-110, by contrast, remains sweet and clear no matter how much HF energy it encounters in the groove, but apparently 'tracks' much less well, when judged by the HFN test disc (it whines a bit on tk3 and distorts horribly on tk4).

I guess the upshot is that I would judge tracking ability by the smoothness of loud high-frequencies rather than 315Hz tone, but that's just because I personally find distorted HF most objectionable. Either way, there's HF and LF tracking ability and they appear to be not closely related.
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Re: A Trilogy of Trackers

Postby goatbreath » 16 May 2012 12:37

David I'm using a slightly older stylus assembly that already has a bit over 30 hours on it on the M97xe..
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Re: A Trilogy of Trackers

Postby bauzace50 » 16 May 2012 14:28

vinylc,

Your interpretation of the 315 Hz bands is correct. That frequency test reflects on the cartridge's lower frequency capabilities, which are affected principally by compliance and tracking force (below 500 Hz). It does not affect aspects governed by moving mass and tracing resolution (above 5 KHz approximately).

Those test bands are fairly useful because they reflect on the major energy content in the grooves, up to the midrange.

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Re: A Trilogy of Trackers

Postby Whitneyville » 17 May 2012 00:32

My nickel's worth. A higher test frequency, especially above 1KHz would bring to bear things like the tonearm and other "stuff". An elderly Pickering can plow thru almost anything, but sound pretty bad doing it.
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Re: A Trilogy of Trackers

Postby flavio81 » 17 May 2012 16:53

vinylc wrote:My experience with the HFN tracking tests (which are at 315Hz, I think?) is that they don't give much indication as to the high-frequency tracking ability.


Exactly, that's only low frequency tracking ability, and any cartridge designer can make a cart that clears them: you only need high compliance and sufficient VTF.
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Re: A Trilogy of Trackers

Postby goatbreath » 18 May 2012 18:09

Well I've had the Shure M97xe on for a few days,,I am running it with the stabiliser brush engaged.The stylus was in a prior model I had and had had around 30ish hours on it..My first observation is that it is very sensitive to loading capacitance..When I used the same cartridge type on my SME IIIs tonearm,,It sounded way darker with somewhat rolled off in the highs..On my Kenwoods Arm it sounds pretty well balanced and has a Shure family sound..I can hear that my old M91ed was a relative..I also have a M75ed T2 with an M75e stylus.
I can hear it is a Shure in the Kenwood but couldn't so much in SME IIIs does that make sense ??? You can hear the swish of cymbals and the drumstick hitting the ride cymbal properly etc..I will say though at first the upper mid to treble region sounded a bit hard..

I can't see the capacitors that boost the capacitance in the lead that are mentioned in the SME booklet,,so I'm taking it that the previous owner cut them out..I don't know if someone can enlighten me here because that would make a big difference in the capacitance therefore sound I imagine..

So if I was to be getting into anything as serious as points.Different points would be awarded on different arms..It could clear track 3 on the HiFi News test disc when I used it with the SME IIIs..But track 2 only on the Kenwood..But possibly due to load capacitance and maybe other factors too it sounds way better on the Kenwood..

The removable shell on the Kenwood is a blessing as I keep my records clean..but that brush fills up fast with fine dust..I can't make my mind up whether the stabiliser brush is causing static or not..??? I know it says it neutralises it,,but they would say that as a marketing opportunity..

So the Denon DL110 is now on..Again I am a bit worried..The Anti Skating on my Kenwood is unusual..You need more than it says on the anti skating gauge,,I think most of you will agree you usually need under..About .4 of a gram more that the VTF is the nearest I can suss it out to be..Well with the Denon I have a gram more,,this is not consistent,even then it skates inward on an anti skate band,,yes I know they are not accurate,,but at least they are a rough indication of what is going on..

I hear talk of the Shure SFG stylus gauge I use and the Denon DL110's magnets interfering with the proper reading..This is making me nervous the Denon is possibly tracking too heavily..

How does the Denon sound..I've tried it with much less music than the Shure so far,,I really like it so far too..But as I say I am cautious about the weight and anti skate at the moment..

The Denon does not clear track 3 on the HiFi News test disc either..But it has had about 2 to 3 hours on it max..

Sorry I can't do a more detailed scientific test with instruments etc...

The M97xe is tracking at 1.85 grams with brush engaged,,making it 1.35 grams theoretically..

The DEnon at 2 grams on the Shure scale..But as I said above I am worried...
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Re: A Trilogy of Trackers

Postby markcass » 19 May 2012 12:44

goatbreath wrote:
So the Denon DL110 is now on..Again I am a bit worried..The Anti Skating on my Kenwood is unusual..You need more than it says on the anti skating gauge,,I think most of you will agree you usually need under..About .4 of a gram more that the VTF is the nearest I can suss it out to be..Well with the Denon I have a gram more,,this is not consistent,even then it skates inward on an anti skate band,,yes I know they are not accurate,,but at least they are a rough indication of what is going on..

I hear talk of the Shure SFG stylus gauge I use and the Denon DL110's magnets interfering with the proper reading..This is making me nervous the Denon is possibly tracking too heavily..

How does the Denon sound..I've tried it with much less music than the Shure so far,,I really like it so far too..But as I say I am cautious about the weight and anti skate at the moment..

The Denon does not clear track 3 on the HiFi News test disc either..But it has had about 2 to 3 hours on it max..

Sorry I can't do a more detailed scientific test with instruments etc...

The M97xe is tracking at 1.85 grams with brush engaged,,making it 1.35 grams theoretically..

The DEnon at 2 grams on the Shure scale..But as I said above I am worried...


Hi

So far as the Shure scale is concerned, I think it depends on how old it is. I have one from the 70s that is unusable with MC cartridges because the beam is steel. Very accurate, though! I have another from the 'Noughties which isn't steel, though unfortunately my sample proved fantastically inaccurate - by at least 0.5 grams, suggesting very poor calibration. It's easy to check which type you have - just get a small magnet and see if it attracts the beam.

I currently use a digital scale, but sometimes cross-check with the inexpensive Ortofon scale, made of plastic, which is also pretty accurate.

HTH

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Re: A Trilogy of Trackers

Postby goatbreath » 19 May 2012 13:57

I got mine in the year 2000...

When you say 0.5 grams I hope you don't mean half a gram.. Yikes
Mine seems fine and consistent enough with moving magnets.
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