Blue Angel wrote:Nice!
How do you wire the pins on these as they are not marked as magnetics?
ba




Blue Angel wrote:Alas, this marvellous thread wasn't started by me![]()
It was started by a now dearly departed gent from my country (but still alive).
There's absolutely no need to feel inhibited about what you have in any way. The only qualification is making music from vinyl.
Just for you, I'll be posting a pic of what I sometimes play with
No-one knows what it is but it's stereo and a moving iron type cartridge.
ba


Twinhit wrote:Blue Angel wrote:Alas, this marvellous thread wasn't started by me![]()
It was started by a now dearly departed gent from my country (but still alive).
There's absolutely no need to feel inhibited about what you have in any way. The only qualification is making music from vinyl.
Just for you, I'll be posting a pic of what I sometimes play with
No-one knows what it is but it's stereo and a moving iron type cartridge.
ba
Don't you just hate it when people don't bother to read, but instead, will only look at the pictures?!??
All I can say about your picture is that your cartridge/headshell appears to be color coordinated. That's kind of taking the hobby a bit extreme, don't you think?





Twinhit wrote:Now that's a cool cart. That AT23a eminds me of a precision micrometer head.
Do you have any documentation for that?
Someone ought to start a tone arm gallery.
My dream tone arm is a balanced 3-4 foot long tone arm. The needle's arch radius reduces with greater length and as a consequence the stylus diamond's inner groove angle deviation from the outer groove is substantially reduced and
mimicry of the vinyl lathe's tangential (linear) path is more accurately realized with a much flatter arch than with shorter arms. At least, that's my
current theory.
Of course there would needs be much more research and attention to details than
that.

Blue Angel wrote:Twinhit wrote:Now that's a cool cart. That AT23a eminds me of a precision micrometer head.
Do you have any documentation for that?
Someone ought to start a tone arm gallery.
My dream tone arm is a balanced 3-4 foot long tone arm. The needle's arch radius reduces with greater length and as a consequence the stylus diamond's inner groove angle deviation from the outer groove is substantially reduced and
mimicry of the vinyl lathe's tangential (linear) path is more accurately realized with a much flatter arch than with shorter arms. At least, that's my
current theory.
Of course there would needs be much more research and attention to details than
that.
Yes, I do. I bought it new.
I have a customer who favours extra-long arms - way beyond 12".
ba


Blue Angel wrote:Alas, this marvellous thread wasn't started by me![]()
It was started by a now dearly departed gent from my country (but still alive).
There's absolutely no need to feel inhibited about what you have in any way. The only qualification is making music from vinyl.
Just for you, I'll be posting a pic of what I sometimes play with
No-one knows what it is but it's stereo and a moving iron type cartridge.
ba
Ernie L wrote:
Grace F-9 Sound-smith retip
I need to learn how to take dust free pictures
Design and Content © Vinyl Engine 2002-2013
faq | site policy | advertising | hifiengine