The following table contains specifications for correct playback of gramophone records recorded to non-RIAA standards. For explanations of the different approaches to equalisation please refer to the accompanying text. |
Non-RIAA Equalization Data
Hz |
1 (250) |
2 (500) |
3 (Columbia N78) |
4 (Columbia LP M33) |
5 (NAB) |
6 (NARTB) |
7 (AES) |
8 (London) |
9 (CCIR) |
10 (IEC) |
11 (RCA) |
12 (Teldec) |
30 |
+18.2 |
+23.5 |
+21.1 |
+14.1 |
+25.0 |
+18.0 |
+22.5 |
+13.2 |
+21.3 |
+15.5 |
+18.6 |
+18.1 |
40 |
+15.7 |
+21.0 |
+18.7 |
+13.9 |
+22.5 |
+17.3 |
+20.0 |
+13.0 |
+18.8 |
+14.7 |
+17.8 |
+17.3 |
60 |
+12.3 |
+17.5 |
+15.2 |
+13.2 |
+19.0 |
+16.0 |
+16.6 |
+12.3 |
+15.3 |
+13.1 |
+16.1 |
+15.6 |
120 |
+7.0 |
+11.6 |
+9.7 |
+10.8 |
+13.1 |
+12.2 |
+10.9 |
+10.0 |
+9.7 |
+9.0 |
+11.8 |
+11.3 |
250 |
+2.7 |
+6.0 |
+4.9 |
+6.7 |
+7.4 |
+7.1 |
+5.5 |
+5.9 |
+4.6 |
+4.5 |
+6.7 |
+6.2 |
500 |
+0.7 |
+2.0 |
+2.0 |
+2.9 |
+3.1 |
+3.0 |
+2.0 |
+2.3 |
+1.5 |
+1.5 |
+2.6 |
+2.3 |
1000 |
0 db |
0 db |
0 db |
0 db |
0 db |
0 db |
0 db |
0 db |
0 db |
0 db |
0 db |
0 db |
2000 |
-0.2 |
-0.7 |
-2.9 |
-3.4 |
-3.4 |
-3.4 |
-2.0 |
-1.9 |
-1.4 |
-1.4 |
-2.6 |
-1.8 |
4000 |
-0.3 |
-0.9 |
-7.5 |
-8.1 |
-8.1 |
-8.1 |
-5.5 |
-5.1 |
-4.2 |
-4.2 |
-6.6 |
-4.7 |
6000 |
-0.3 |
-1.0 |
-10.7 |
-11.3 |
-11.3 |
-11.3 |
-8.3 |
-7.9 |
-6.7 |
-6.7 |
-9.6 |
-7.2 |
8000 |
-0.3 |
-1.0 |
-13.1 |
-13.7 |
-13.7 |
-13.7 |
-10.5 |
-10.0 |
-8.8 |
-8.8 |
-11.9 |
-9.3 |
10000 |
-0.3 |
-1.0 |
-15.0 |
-15.6 |
-15.6 |
-15.6 |
-12.3 |
-11.8 |
-10.5 |
-10.5 |
-13.8 |
-11.0 |
12000 |
-0.3 |
-1.0 |
-16.5 |
-17.1 |
-17.1 |
-17.1 |
-13.8 |
-13.3 |
-11.9 |
-11.9 |
-15.3 |
-12.4 |
15000 |
-0.3 |
-1.0 |
-18.4 |
-19.0 |
-19.0 |
-19.0 |
-15.7 |
-15.1 |
-13.8 |
-13.8 |
-17.2 |
-14.3 |
1) Old European Characteristic: "250"HMV N78 (His Masters Voice) and Columbia N78 produced by E.M.I. England. CETRA N78, Italy. This standard may be also applied to records by Parlophone, Brunswick Time Constant: 636 µs (250 Hz). |
2) Old European Characteristic: "500"Applicable to many European records produced before 1950, and also to many U.S. companies except RCA Victor, Columbia. Time Constant: 318 µs (500 Hz). |
3) Columbia N78Time Constants: 530 µs (300 Hz) and 100 µs (1,590 Hz). |
4) Columbia LP M33HMV M33, produced in England. Vanguard, Bach Guild, Cetra M33, Vox. Time Constants: 1,590 µs (100 Hz), 318 µs (500 Hz), and 100 µs (1,590 Hz). |
5) NAB National Association of BroadcastersTime Constants: 530 µs (300 Hz) and 100 µs (1,590 Hz). |
6) NARTB National Association of Radio and TV Broadcastershas replaced NAB standard. Applicable to Artist, Capitol, MGM, Westminster (see disk cover), Tempo M33 (approximate char.) Time Constants: 2,720 µs (60 Hz), 318 µs (500 Hz), and 100 µs (1,590 Hz). |
7) AES Audio Engineering Society, made in 1951 this reproduction definition for compatibility to standards mostly used in the USA. Time Constants: 398 µs (400 Hz) and 64 µs (2,500 Hz). |
8) London London Gramophone CorporationLondon M33 & M45,Decca (possibly). Time Constants: 1,590 µs (100 Hz), 318 µs (500 Hz), and 57 µs (2,800 Hz). |
9) CCIR Recommendation No. 134by VIIth Plenary Assembly, 1953: Germany 1952-1955: DGG 33 1/3 LP. Time Constants: 450 µs (350 Hz), and 50 µs (3,180 Hz). |
10) IECA recommendation of 1955 for playing N78 disks, according to B.S. No. 128 (British Standard). Time Constants: 3180 µs (50 Hz), 450 µs (350 Hz), and 50 µs (3,180 Hz). |
11) RCA Victor & IEC No.98refers to this "New Orthophonic" standard since 1952. Recommendation of 1953 by NARTB, of 1955 by IEC No.98, and B.S. No. 128. World standard since 1967. Time Constants: 3180 µs (50 Hz), 318 µs (500 Hz), and 75 µs (2,120 Hz). |
12) TELDECTelefunken and Decca founded a record company that used a characteristic proposed for German DIN-Standard on July 1957: DIN45533, DIN45536, DIN45537. Time Constants: 3180 µs (50 Hz), 318 µs (500 Hz), and 50 µs (3,180 Hz). |
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